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Four dance films and three documentaries about Anne Teresa De Keersmaeker's dance company Rosas.
Jan Decorte is best known as a theatre maker, although he did spend a number of dedicated early years in the film industry. He appeared in two films by Chantal Akerman and above all, in only a few years he directed three films considered milestones in Belgian cinema.
Chantal Akerman was a Belgian film director, screenwriter, producer, artist and writer. She was born in Brussels in 1950, to a family of Polish-Jewish immigrants. This collection charts a path through Chantal Akerman's rich oeuvre of over 50 titles.
Charles Dekeukeleire was a Belgian film director, critic and writer. This collection traces Dekeukeleire's visual deconstructions, from his first short experiment with form in Combat de boxe (1927) to his first narrative feature film The Evil Eye (1937).
This collection is presented on the occasion of the exhibition Francis Alÿs. The Nature of the Game at WIELS (7 September 2023 to 7 January 2024) and offers a small selection of the artist's extensive video work.
Three highly original, lovingly and playfully crafted films spanning over fifteen years. Blending documentary and fiction, these films, like the blue garden cabin that gives the trilogy its title, form an intimate oeuvre as well as a fertile space of memory and imagination.
Avila and Sabzian, the international film magazine based in Brussels, present a curated selection of films from the Avila catalogue by filmmakers whom Sabzian has interviewed over the years.
Hong Sangsoo is one of the most acclaimed, prolific and inventive auteurs in contemporary cinema. This collection offers a unique insight into his oeuvre, which playfully explores variations on recurring narrative threads, blending humour with profound explorations of everyday life, psychology, and metaphysics.
Filmmaker Harun Farocki played a pioneering role in exposing the underlying social, political, and technological structures through which images are produced and circulated. This collection shows how his films challenge what seems self-evident by deconstructing our perception of the everyday.
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